Only 11 more days of black and white…ouch! Yes, it really is getting that hard. We had a lovely sunset last night — for the first time in several days — the sun was peeking around the house across the street and the sky was a lovely blue with big fluffy white clouds and I desaturated it into a black and white. But I think the clouds came out pretty well!

The other day at Border’s I picked up a copy of Creative Black & White by Harold Davis and I’ve been using some of his techniques for maximizing tonal range in black and whites. My favorite so far is using Duotone color mode. Since I am self-taught and have never used Photoshop in a “print” setting, there are still lots of areas that I have never explored. Duotone, tritone and heck, even CMYK for that matter, are all new territory to me!

For today’s shot, I first used a black and white adjustment layer to desaturate it and then changed the color mode to grayscale. That gave me a degree of control over the color mix before Photoshop discarded the color data. Once it was a grayscale then I was able to select Duotone. The duotone menu lists several books of Pantone colors. I choose the metallic coated book which gives you incredible metallic colors that survive the conversion back to RGB without losing too much of their sparkle.

He also does some interesting things with LAB color before desaturating the image. I used that technique on the branches above but in my opinion it created a lot of noise in the shot and using Topaz Lab’s Denoise created a lot of halos around the branches…I’m not thrilled with that (not to mention that I accidentally uploaded a low-res version to flicker!). All in all, I think I learned a few useful tricks. What are your favorite ways of converting to black and white?